Starting out

Build the sample nobody owns

You cannot publish a client's assessment, and you can publish the same work done on material nobody has a claim to.

By Updated 4 min readStarting out

Guides on Starting out: A rubric is a production tool before it is a quality claim, The brief is rarely the request, Getting the first booking, in order

The single highest-converting element on a new profile is one complete piece of work a stranger can read before booking. The obvious version of that - publishing something you did for a client - is not available to you, and the useful version is: do the same work on material nobody has a claim to, and reuse it forever.

This is a few hours once and it outlives every other thing you build in week one.

Why it beats the rest of the profile

Everything else on a listing is a claim about what will happen. A worked example is the thing itself, and it collapses the buyer's main question - not "is this person good" but "is this person going to send me something I recognise as worth the money" - into a decision they can make by scrolling.

It also does work you cannot do any other way. It sets scope silently, because a buyer who has read the example does not ask for something outside it. It filters, because the people who want a different kind of work leave without messaging you. And it substitutes for reviews at the exact moment you have none, which is the only moment the substitution is needed.

This is also the honest alternative to the thing everyone suggests instead: the argument against free samples turns entirely on the difference between showing the work and giving an instance of it away.

Material nobody owns

Four sources, in rough order of how well they work.

Generic or synthetic material you generated yourself. Nothing about it belongs to anyone, and you can say so in a line. This is the default and it is fine.

Public domain or openly licensed material where the licence genuinely permits it. Check the licence rather than the vibe of the page it sat on: Creative Commons publishes several distinct licences, and the NC and ND variants restrict commercial use and adaptation, which is exactly what a sales example does.

A composite assembled so that no single real submission is recoverable from it. This works and it requires you to actually do the assembling, not just change a name.

Your own material, if you are comfortable and the platform permits it. The most honest option and the one with the largest personal cost, so decide it once and calmly rather than in the middle of building the page.

What is never a source is a client's job with the identifying parts taken out. Redaction is not consent, the person did not commission a public artefact, and a buyer who sees you publishing redacted client work correctly concludes that theirs could be next.

Build it as a structure, not a showpiece

The example should be slightly better than your median job and recognisably the same thing. An unrepresentative masterpiece sets an expectation you then fail every week.

Include, in this order:

  • The brief you were working from, written as a buyer would write it, thin and slightly vague on purpose.
  • The deliverable in full, at the length you actually sell.
  • The headings or axes, visibly the same ones your listing names.
  • The turnaround, stated as a real elapsed time.
  • One line saying what material this was and that nobody has a claim to it.

That last line is doing more than housekeeping. It tells a buyer, without a paragraph about confidentiality, that you did not publish somebody's job, which is a question they were not going to ask and would have felt.

Where your assessment involves stated dimensions rather than judgement, use somebody's published conventions and name them, because an example that invents its own units is unreadable as evidence - the documented method side is where those conventions live, and citing one is a stronger signal than any adjective in your listing.

Publishing it without a portfolio page

You do not need a website. Options, cheapest first: the profile description itself if the character limit allows, a pinned message or attachment on the platform, a plain public document link, a static page you control.

The last is worth having eventually, because a link you own survives a platform change - but nothing about the example requires it on day one.

Keep the images out. An example built on described structure travels everywhere and gets removed nowhere, and if it depends on pictures, what platforms and buyers do with images becomes your problem rather than a side issue.

Maintaining it

Rebuild it once, at around job thirty, when your actual work has diverged from what the example shows. Between those points, leave it alone.

The version that gets stale is not the writing, it is the price and the turnaround inside it. Both should either be omitted or updated when your rate card moves, and the rate card that the example has to stay consistent with is the thing to change first, with the example following.

The example starts life as your first portfolio piece, which is a lower bar and the right place to begin.

One thing the example cannot do is prove judgement to a buyer who has not decided whether they want a person at all. That buyer has usually already run an automated score, and what an automated assessment already produces for free sets the baseline your example is implicitly being read against. The parts of your work that survive that comparison - the reasoning, the specificity, the fact that a named person read it - are the parts worth making longest in the sample.

For the platform-side version of where a worked example can be attached and what listings there normally carry, Rate Cock's judges page is the current source, and reading three live listings against your draft example takes ten minutes and usually changes it.

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